Arnold

  • Animating the Frontier: Realism and rigging in 1923 with WeFX

    On Taylor Sheridan’s Yellowstone prequel series, 1923, the Dutton family and other protagonists are under constant pressure from the encroachments of the modern world. One mistake, and they could end up shot, drowned, frozen to death, or mercifully, arrested. It’s fitting then that when WeFX had to complete 20 VFX shots in about three months…

    Visual Effects

  • A Sparrow’s Song Soars: How Collaboration Won Gold at the Student Academy Awards

    In life, and in art, encouraging those around you goes a long way. In the 2025 Student Academy Award-winning animated short film, A Sparrow’s Song, an injured sparrow singing along to a grieving widow’s piano playing in a World War II bomb shelter gives hope to everyone who hears it. On the 50-student team who…

    Animation

  • Gattai Robots + Winnie the Pooh: How Lemon Sky Gets It Done with Autodesk’s M&E Collection

    In this chat with Lemon Sky Studios, the team walks you through how they tackled the creative workflows behind their in-house Metal Genesis game and the Playdate with Winnie the Pooh animated series. They talk about the tools they rely on, why open standards matter to them, and what they think really makes a studio…

    Maya