• Come find us at Booth 515 at SIGGRAPH 2025

    Don’t miss your chance to meet with our experts to get your burning questions answered. See live demos of our solutions in action, including the latest AI advances in Maya and Flow Studio and collaborative cloud workflows. Booth 515 | August 12 – August 14 | Vancouver Convention Centre Tuesday, August 12th 10:00am – 1:30pm…


  • From Set Frustration to Studio Staple: The Flow Capture Story Featured on On Production

    In the latest episode of On Production – Wrapbook’s flagship podcast hosted by Cameron Woodward – Hugh Calveley, founder of Flow Capture (formerly Moxion), shares his journey from camera assistant on remote New Zealand film sets to building a cloud-based collaboration platform now trusted by top-tier studios like Amazon. Known for its behind-the-scenes insights, On Production explores how…


  • Autodesk at SIGGRAPH 2025

    From browser-based VFX tools and AI-powered workflows to open-source innovation, we’re bringing our full creative force to SIGGRAPH 2025. Whether you’re a solo creator, a studio lead, or a tech enthusiast, this year’s show is all about empowering every creator to imagine, iterate, and inspire – without limits. Discover Autodesk Flow Studio at SIGGRAPH  What…


  • Two head models for video game

    Navigating the Complexities of AI Ethics in Game Development

    The increasing use of various artificial intelligence tools across the games industry was the topic of the moment at the Game Developers Conference (GDC) 2025. AI utilization can vary in any stage of development, from conceptualization to producing in-game assets. However, as it stands, AI tools also raise ethical questions. Consumers and developers alike are…


  • What’s Next for Content Creation? AI Research Is the Crystal Ball 

    For more than two decades, Autodesk Research has been investigating how artificial intelligence can make 3D content creation simpler, faster, and ultimately, more creative.  As perspectives on AI continue to evolve, from enthusiasm to concern (as outlined in Autodesk’s 2025 Design & Make Report), Autodesk remains focused on a clear goal: building technology that supports…


  • Meet MotionMaker: Maya’s New AI Animation Tool

    Say goodbye to time-consuming locomotion work and hello to more creative freedom with MotionMaker, now available in Maya. It’s a new Autodesk AI powered tool that lets you guide your character’s motion with just a few keyframes or a simple motion path and iterate until it feels just right. We spoke with Evan Atherton, senior…


  • Unit Image Crafts Superhero-Worthy Stylized Animation for Marvel Rivals Cinematic Trailer: No One Rivals Doom

    When Alexandre Lerouge and his team took on the “No One Rivals Doom” cinematic trailer for Marvel Rivals, they knew they had to think outside the box. Marvel Rivals, an action-packed game where iconic heroes and villains face off in epic battles, demanded a visual style that was as bold and dynamic as its gameplay.…


  • Empowering Animators with AI Innovation: Autodesk at Annecy Film Festival 2025

    The Annecy International Animation Film Festival and Market is one of the most significant global stages for animation enthusiasts and professionals, highlighting the diverse evolution and exciting future of the industry – from traditional techniques to modern workflows. Join us in Annecy France from June 8-13 to explore how AI can help you focus on…


  • A Showreel of the Year’s Peak Moments in Film, TV, and Games

    This past year was full of the moments we love—binge-watching late into the night, waiting through the movie credits just in case there’s a post-credit scene, finishing every last part of a great game. That’s what happens when the year’s packed with incredible animation, visual effects, game development, and storytelling that stick with you. There…


  • How ‘SCRAP METAL’ Filmmakers Used Maya to Create a Stunning Futuristic World

    Animated short film SCRAP METAL is a testament to what’s possible with the right vision and creative tools. Showcasing the vertical metropolis of a fictional Oris City, the film is effectively the stunning 3D world created by CG Supervisor and Art Director Darko Mitev brought to life. The concept originated as a personal passion project,…